This is where you see the niche and specialist winemaking countries and regions really come into their own. Rutherglen Muscat, Mavrodaphne from Greece, Madeira from, well, Madeira.
Sunday, 28 February 2010
The London Vintage Festival Part III of III
The London Vintage Festival is on Friday 16th and Saturday 17th April 2010 and I prefer the Saturday daytime session.
After a morning drinking white wine, fizz including Champagne, maybe a taste or two - always two actually, strictly for comparison purposes - of rosé, and a lunch interlude matching Italian varietals with some hearty fare to soak up the alcohol, the hardest part is deciding where to start, and end, an afternoon drinking red wine.
Most of the great expressions of the winemaker's art and science, craftsmanship, skill and experience, will be on show and available for tasting. This year including a range of so-called fine wines.
Lightest to heaviest is logical but with so much choice how do you work out what to sacrifice, because you simply cannot try everything? Although I do give it a good old go.
Do you drink only 'classic' old world red wine? Work your way through the likes of Bordeaux, Rioja and Barolo? But where does that leave the Super-Tuscans?
Dare you confine yourself to a single country? France is too predictable surely? Begin with Bordeaux, Burgundy, the best of the Rhône? It's very limiting.
That would be like confining yourself to a single North American state. California anybody? Pinot Noir from Carneros, Monte Bello from the mountains, Santa Cruz Syrah. Or is it Shiraz? Somebody please do let me know once all the US winemaking states - how many at the last count? - agree on what that darn grape's called.
What about the best representations of a single dominant grape variety? Cabernet Sauvignon is again the obvious one. Compare and contrast claret, a couple of states like California and Washington, something from South America - Argentina or Chile? New Zealand, South Africa, Lebanon's Château Musar anyone?
Me, I'm dedicated. Committed even. Or do I mean tight-fisted? Am I really doing my damnedest to try something of everything or am I just determined to get full value for money by drinking my way around the priciest wines on show?
Because in all honesty I won't be swirling an everyday Chilean Merlot round my glass, cheap South African Chenin Blanc - Steen is such an ugly word - won't pass my lips, nor will the merest hint of anything called 'blush' assail my nostrils.
No, to me it's about sampling as many examples as possible of the very best. From Merlot-rich red fruit aromas and flavours, through the intense blackcurrant of Cabernet Sauvignon to the spices of Syrah before ending up with the dried desert fruits on the forest floor that epitomise mature red Burgundy. By that time I can barely say that sentence of course. Try it yourself after two tasting samples of every great grape variety - dried desert fruits on the forest floor. Hopefully it's the only floor we end up on.
Back to the beginning. Perhaps start with a lighter, juicier red wine, just to get us up and running, maybe a Beaujolais Cru - Morgon is the longest-lasting - then head for the right bank of Bordeaux for St Emilion and Pomerol, before the Rhône's heavyweight Châteauneuf du Pape and subtle Côte-Rôtie, which is worth tasting alongside Spain's Priorat.
Maybe it's the hour for big Aussie Shiraz or US Zinfandel time - perhaps chuck in a South African Pinotage for a moment's contrast - before comparing classic left bank Bordeaux with the Californian competition and a Super Tuscan or two. Or three, if they're any good.
I like to finish my exploration of dry red wine in Burgundy and recommend stopping off along the way for a Rioja Gran Reserva or two - two just for comparison that is - to get used to that barrel-aged, oaky, acorn, chestnut and conker frame of mind. I need a pause to adjust my eyes from red and black to brown and amber, realigning my nose and palate from the concentrated mature fruit of Bordeaux and meritage styles to the autumnal essence that makes for the most traditional ripe expressions of top vintage Pinot Noir.
Finally, before all that alcohol has a chance to make a lasting impression on my ability to drive home - only joking, I'll be on the first/next/last/any train out of London Victoria - there's time for a brief foray among the festival's fortified favourites.
Spain and Portugal in particular get a proper look in with Sherry and Port respectively. By this point the moments for the subtleties and refinement of chilled Fino and rich Ruby may have long passed but it's well worth lingering a while over deep and dark Oloroso and Tawny.
Because by now, the journey round the world's greatest wines is almost over.
One last chance to grab a glass of something - anything - just to round the whole event off. What will it be? There's a temptation to go back to a favourite - that would likely be Condrieu for me - but the palate may not be able to appreciate it any more; very little tastes of anything distinctive by now, so it'll have to be something bold and quite different.
How about Tokaji Aszú, from Hungary? Tokay to you and me? If it's good enough to feature in that country's national anthem surely it must be worth sampling half a glass to sustain you on the journey home?
Three last things:
1. Don't forget to place your order for all your favourites on the way to the exit
2. Don't forget to collect your hat and coat from the cloakroom
3. Remember as you leave the building, it's mid-April, it's mid-afternoon and the sun will be blinding. So too will the headache.
The Sunday Times Wine Club London Vintage Festival is at the RHS Lawrence Hall, Greycoat Street, Westminster, London SW1P 2QD, on Friday 16th and Saturday 17th April 2010. Bookings 0845 217 9122. www.sundaytimeswineclub.co.uk